The Second Approach

俄罗斯 Russia

时间 Time

2015.10.10 21:20 – 22:20

场地 Venue

华侨城创意文化园北区B10现场 B10 Live, North District of OCT-LOFT

演出者 Artists

Andrei Razin – 钢琴 Piano

Tatyana Komova – 人声 Vocals

Igor Ivanushkin – 低音提琴 Double Bass

如果我们理解的俄罗斯文化是陀思妥耶夫斯基、普罗科菲耶夫、夏加尔以及斯拉夫歌曲的话，那么The Second Approach无疑是深深根植于此的。他们音乐的即兴风格带有鲜明的俄罗斯烙印。

The Second Approach呈现的是似乎很难被定义的音乐，在获得了大量的关注和喜爱之余，也激发了许多争议。乐队由经验丰富的作曲家、钢琴即兴大师Andrei Razin领衔，另外两位成员分别是著名吉普赛乐队Romen的歌手Tatyana Komova，和俄罗斯最重要的低音提琴手之一Igor Ivanushkin。他们的音乐融合了世界音乐、现代创意爵士和当代古典乐等元素。

The Second Approach的灵感源自于21世纪的泛欧主义精神，俄罗斯的传统文化也丰富了其内涵。因此，乐队吸引了很多高水平的音乐家跟他们合作，包括伟大的法国圆号手Arkady Shilkloper，俄罗斯萨克斯风手Oleg Kireyev及其美国同伴Mike Ellis，俄罗斯萨克斯风手Yury Yaremchuk，还有德国鼓手Klaus Kugel和美国长号手Roswell Rudd。

1999年，乐队在成立仅一年之后，就获得了三项俄罗斯爵士记者协会奖（Russian Jazz Journalists Association Awards）提名。

2001年3月，乐队作为表演嘉宾在德国斯图加特参加了俄罗斯著名导演塔可夫斯基（Andrei Tarkovsky）的回顾展，并在德国和俄罗斯发行了专辑《Ex Tempore》。同年，乐队在德国卡塞尔爵士音乐节（Kassel Jazz Festival）和波兰罗兹的Lodz 4 Cultures Festival上演出。

The Second Approach project’s origin is Russian culture, if we mean Fyodor Dostoevsky, Sergei Prokofiev, Marc Chagall and Slavic songs. Their style of improvised music was definitely and unmistakably born in Russia.

What the band performs seems to go beyond standard definitions. It provokes controversy, interest and liking. The leader of the trio is an experienced composer, master of piano improvisation, Andrei Razin. A unique singer, member of well-known Gypsy band “Romen”, Tatyana Komova, and one of the key acoustic bass players in Russia, Igor Ivanushkin, complete the band. The musical arsenal of the Second Approach combines elements of ethno music, modern creative jazz and contemporary classical music.

The ideas of the Second Approach lie in the area of pan-European spirit of the 21st century, enriched by Russian traditions. This is why the idea of work with this trio attracted so many high class musicians, from the French horn great Arkady Shilkloper and sax man Oleg Kireyev to his fellow saxophonists Mike Ellis, and Yury Yaremchuk, drummer Klaus Kugel of Germany, and trombonist Roswell Rudd of USA.

In 1999, only one year after the band was created, it was nominated for Russian Jazz Journalists Association Awards in three categories.

In March 2001, their CD “Ex Tempore” has been released both in Germany and Russia, while the trio performed in Stuttgart, Germany, at filmmaker Andrei Tarkovsky’s retrospective with “In Memoriam Andrei” program. That same year the trio played at Kassel Jazz Festival (Germany) and at Lodz 4 Cultures Festival in Poland.

网站 Website

http://www.secondapproach.ru/

脸书 Facebook

https://www.facebook.com/andrei.razin

红领巾三重奏

Red Scarf Trio

中国 China

时间 Time

2015.10.10 20:00 – 21:00

场地 Venue

华侨城创意文化园北区B10现场 B10 Live, North District of OCT-LOFT

演出者 Artists

邓博宇 Deng Boyu – 鼓 Drums

李星 Li Xing – 吉他 Guitar

老丹 Lao Dan – 中国竹笛 Dizi / 唢呐 Suona / 萨克斯 Saxophone / PVC自制吹管 PVC Homemade Blowpipe

红领巾三重奏成立于2013年，三位成员分别是邓博宇（鼓）、李星（吉他）和老丹（管乐）。他们都是近年来活跃在前卫实验、自由即兴、民族先锋音乐舞台上的中国现代音乐演奏家。

红领巾对声音、空间、结构以及即兴形式有独特的诠释方式，对乐器的运用也极具个性。他们注重情绪细节上的表达，又有点朋克味道，三人的不同情绪充分凝聚，继而带出了他们音乐中饱满的张力。但这种音乐是“接地气”的，他们表达的往往就源自对日常生活的感悟。有理由相信，这支本土乐队会向我们展示中国音乐真正的本质。

邓博宇

在多个乐团中担任鼓手，风格涵盖摇滚、爵士和自由即兴。他同时也是一位前卫电子音乐人，沉迷于极简主义的氛围建设，作品音色敏感，细腻而又不失奇思妙想的怪异节奏，对于采样、拼贴有着独特审美视角。

李星

自由音乐人，吉他手。从实验摇滚到自由爵士，再到声音艺术，他抽离不同风格中的声音语言并进行再塑造，从而形成自己的语汇。从北京的干燥到上海的阴柔，多年的音乐生活使他对声音有了更多思考，通过了解阴阳中术数的关系去思考声音与中国当代社会的关系，这也激发了他对噪音、环境、 序列音乐的尝试，以及更多的可能性。

作为制作人和主要编曲，李星在在他自己的戏班乐队里担任了重要的角色。戏班乐队于2014年发行了双张专辑《太平有象》和《五石散》，荣获第十五届“华语音乐传媒大奖”的三个奖项。2015年初，戏班乐队携新专辑在德国进行了五城巡演。

老丹

自由音乐人，吹奏乐手，8岁开始学习萨克斯，后来转学中国竹笛。

2007年以专业第一的成绩考入沈阳音乐学院竹笛专业，在校期间曾担任沈音青年民族乐团笛子首席。2012年开始学习研究世界各地民族管乐器，包括：口弦、迪吉里杜管、印度班苏里笛、竹制萨克斯、亚美尼亚杜杜克笛等，并对中国传统竹笛的演奏方式和方法加入自己的看法，在演奏中极其注重自由、情绪、思维、空间等细节。

直到2014年，经过大量的演出和录音之后，他在音乐风格中融入了实验、噪音、自由即兴等元素，并以笛子和萨克斯为主要线条，加入世界各地的吹奏乐器，使自己的音乐更为丰富，更具有创造性。

Red Scarf Trio was founded in 2013 with drummer Deng Boyu, guitarist Li Xing and wind instrument player Lao Dan. All the members are modern musicians who are active in avant-garde music field, both improvised free-style and progressive folk can be found frequently in the music.

Red Scarf has not only its own unique way to interpret sound, space, structure and improvised form, but also characteristic way to perform instruments. Emphasizing expression of diverse emotional details of themselves, with a taste of punk, the musicians bring out plump tension in their music. However, they keep their music grounded, with expressions deeply rooted in their sensibility of routine life, which gives us enough reason to believe that this local band will unfold the real essence of Chinese music.

Deng Boyu

Deng Boyu is the drummer of various bands of different styles, including rock, jazz and free improvisation. Meanwhile, Deng Boyu himself is also an avant-garde electronic musician, being addicted to atmosphere building of minimalism. The tune of his works is sensitive and delicate, full of irregular rhythms with fancy thoughts. He also got a unique aesthetic vision for sampling and collaging.

Li Xing

Li Xing is a freelance musician and guitarist. From experimental rock to free jazz, and down the way to sound art, he extracts phrases from diverse styles to reconstruct into his own vocabulary. Li Xing has lived in Beijing and Shanghai, and the different characters of these cities offer him a lot of space to think deeper about music and the connection between sounds and contemporary society of China, through the “Shu Shu(术数)” of “Yin and Yang(阴阳)”[1]. It has also inspired him to experiment on noise, ambient and serialism music, and leads to more possibilities.

As the producer and main arranger, Li Xing played an important role in his own band Xiban. The band has released a double album in 2014, “Peace and Prosperity(太平有象)” and “Powder of Five Minerals(五石散)”, which gained 3 awards at the 15th Chinese Music Media Award. Earlier in 2015, Xiban has toured in 5 cities in Germany with their latest album.

Lao Dan

Lao Dan is a freelance musician and wind instrument player, who started learning sax at the age of 8 and later turned to Dizi.

In 2007, he was admitted with the highest score to Shenyang Conservatory of Music (SYCM), majoring in Dizi. During college, he served as the principal Dizi player of Youth Chinese Orchestra of SYCM. From 2012, he started his research on wind instruments from all over the world, including Jew’s harp, Didgeridoo, Bansuri, Bamboo Sax, Duduk, etc. Lao Dan blends his own thoughts into the traditional way of playing Dizi, in which he pays a lot of attention on details of freedom, mood, thought and space.

Since 2004, when he has already accumulated plenty of performing and recording experiences, Lao Dan has brought his music to a whole new level of richness and creativity, by joining all kinds of wind instruments to the basic line of Dizi and sax, as well as new elements such as experimental music, noise and improvisation.

[1]In Chinese philosophy, “Yin and Yang” describes how apparently opposite or contrary forces are actually complementary, interconnected, and interdependent in the natural world, and how they give rise to each other as they interrelate to one another. Shu Shu is a divination form based on the philosophy of Yin and Yang.

微博 Weibo

http://www.weibo.com/ershengsanhou